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Showing posts with label Culper Spy Ring. Show all posts
Showing posts with label Culper Spy Ring. Show all posts

Wednesday, April 9, 2014

New TV Series


Since my last post about the Culper Spy Ring and agent 355, I discovered the new AMC series Turn based on—guess what!—the Culper Spy Ring. Talk about a coincidence! Just when I was studying that particular subject, a TV series about it shows up. Needless to say, I was very anxious to watch the first episode.

As I’m sure everyone is aware, I thoroughly enjoy action-adventure stories, particularly those with a historical setting—which is why I write them. And I wasn’t disappointed by Turn’s storyline, acting, and general look and feel. The filmmakers did a surprisingly creditable job of creating a historically accurate script, settings, and costuming. The acting was solid and the plot engrossing and suspenseful. I’m looking forward to the rest of the series and hope it’ll stay on track.

As in every story, written or filmed, the focus of this first installment was to introduce the characters, portray their individual situations and the factors that send them on their journey, and set up future episodes. If we’re going to care about the men and women who inhabit the story, we have to understand and sympathize with their motivations and goals. In accomplishing that, the writers and actors did their jobs very well.

Of course, considering the fact that the Americans were at war with Britain at the time, Turn did depict realistic violence and bloodshed. I would have preferred to have less of an up-close view of it, although compared to the majority of TV dramas and movies we see nowadays, it wasn’t as bad as many. But the truth is that war is not romantic. Far from it. I’ve heard it said that the purpose of war is to tear up things and kill people, and indeed it is. War is gritty and dirty and violent and ugly. If everyone truly understood that, perhaps we wouldn’t have so many of them.

In Turn, the producers could have pulled shots back and avoided focusing so closely on the gore without sacrificing realism. I’m hoping that now that the motivations of the characters have been established future episodes will focus more on intrigue and less on violence. I personally don’t enjoy seeing the evil humans perpetrate against each other portrayed graphically any more than anyone else, and I’d caution anyone who might be disturbed to take that into account before watching Turn. I wouldn’t recommend it for younger children. But as a historian I have to be a realist. I study the ugly things that happen in life as well as the glorious things so I can write accurate historical fiction that convicts readers about the fallen state of humankind and illuminates God’s redemptive purposes for our lives.

What’s needed is balance in how graphically we as writers portray real life. When we sanitize history, we don’t present an honest picture of our need and God’s grace. When we overdo depictions of violence, we run the risk of turning readers off to our message, desensitizing them to sinful actions, or glorifying sin and raising passions that may lead them to engage in it. I don’t want to do that in my work. I want to honor the sacrifices of those who endured the fiery trial to ensure our freedom by portraying history honestly and in a way that fully glorifies God. And I depend on the Lord to guide me in that calling.

Friday, March 28, 2014

A Real Female Spy of the Revolution


For the past few days I’ve been reading George Washington’s Secret Six: The Spy Ring that Saved the American Revolution by Brian Kilmeade and Don Yaeger. The authors cover in detail the activities of the Culper Spy Ring, which operated in New York City beginning in 1778.

Area of Culper Ring's Operations

Although I’ve run across this important spy ring before while researching the series, this is the most detailed account of their activities I’ve read. Crucible of War ends about a year before the Culper Ring began operating, and I’m especially intrigued to discover many similarities between agent 355 and my fictional character Elizabeth Howard. Elizabeth’s family ties, activities, capture, and imprisonment aboard one of the prison ships in New York Harbor at the end of Crucible of War and the beginning of Valley of the Shadow mirror agent 355’s history, although her eventual fate was much more dire than Elizabeth’s will be. I wasn’t at all familiar with this agent, which makes the similarities in their stories all the more striking.

Agent 355 was clearly a courageous and resourceful woman who did our new republic a great service. It’s truly a tragedy that she didn’t survive to enjoy the rewards of her contributions. The following account is taken from the National Women’s History Museum website.
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It is believed that “355” was a member of a prominent Tory family, a position that would have allowed her virtually unrestricted access to British political and military leaders operating in the New York area. For her part, “355” helped expose Benedict Arnold’s treasonous role in the surrender of West Point and neighboring military outposts, an act that earned him a £20,000 gratuity from the British government.

She also facilitated the arrest of Major John André, the head of England’s intelligence operations in New York, who was eventually hanged as a spy on orders from General Washington. While in New York, the debonair André kept company with any number of beguiling and available women. Taking advantage of this, “355” worked the parties he gave and attended, paying careful attention to what he offered during conversations that were often plied with considerable quantities of ale. Any substantive information “355” gleaned from these indiscretions, such as the deal to hand over West Point for payment, was surreptitiously passed by way of the Culper Ring to an appreciative George Washington.

It is believed that “355” was actually Robert Townsend’s common-law wife, with whom he had a son. When the junior “Culper” learned that his prized operative and lover was to bear his child, he pleaded with her to forgo her dangerous espionage work. She refused, believing, and rightly so, that the information she was providing was of the highest value. “Three-fifty-five’s” days were, indeed, numbered, thanks, so the historical reflection goes, to the traitor Arnold, who gave her up once he had defected to Great Britain following the arrest of André.

In October 1780, “355” was captured and ordered held in fetid conditions aboard the prison ship Jersey, which was moored in the East River. While incarcerated, she gave birth to a son, whom she named Robert Townsend, Jr., after the Culper Ring operative. She died shortly thereafter.

To new intelligence service hires, “355” is often cited as an inspirational example of a trusted field agent, who has retained her anonymity even 222 years following her death. The young woman’s contributions to America’s War for Independence did not go unnoticed by the head of the fabled Culper Ring, Abraham Woodhull, who wrote that she “hath been ever serviceable to this correspondence” and could “outwit them all.”