Pages

Showing posts with label Revolutionary War. Show all posts
Showing posts with label Revolutionary War. Show all posts

Monday, April 14, 2014

The Pursuit of Tamsen Littlejohn


Today I’m celebrating the newest novel of my good friend Lori Benton with a day-before-the-release-date party, and one lucky winner is going to receive a copy of The Pursuit of Tamsen Littlejohn! Below Lori shares how she developed the story. Please leave a comment on this post before midnight Friday, April 18, to be entered in the drawing!
~~~

Lori
Where do you get your story ideas? That’s a question fiction writers are often asked. It’s often difficult to answer.

Ideas are everywhere. In the movies we watch, the books we read, the conversations we have, the news we’re exposed to. Life abounds with story ideas. Like scattered seeds, they are constantly being planted in a writer’s mind. They can lie dormant for the longest time, forgotten by the writer herself, until suddenly they sprout, and a story idea springs from seemingly nowhere, its roots untraceable except by more digging than most writers have time to do. Rather, we delight in the unexpected tender shoot and do what we can to nourish it, hoping it will sink those mysterious roots deep, and grow.

And then sometimes we do remember exactly where a story idea came from. That’s the case for my new release, The Pursuit of Tamsen Littlejohn (WaterBrook Press, April 15, 2014). The first spark of inspiration for that story came straight out of the pages of history.

While researching an earlier novel set in 18th century North Carolina, I came across the mention of the State of Franklin—an attempt of the citizens living west of the Blue Ridge Mountains to form a separate state, just after the Revolutionary War’s ending. Had they succeeded (and they nearly did), Franklin would have been the fourteenth state admitted into the Union, instead of Vermont.

Why did they get the notion to do such a thing in the first place?

I think it’s accurate to say that the State of Franklin movement came about in large part due to geography. Several of the river valleys west of the Blue Ridge, known as the Tennessee country, had been settled well before the Revolutionary War. But those frontier settlements were a long way removed from the political centers of eastern North Carolina. With hundreds of miles between them, many of them sometimes impassable mountain miles, the settlers on the frontier became frustrated with the government’s lack of response to their needs.

In 1784, one group of these frontier citizens declared their region independent of North Carolina. They formed the State of Franklin and elected a governor—war hero John Sevier—but they never drew enough support from outside the region for their efforts to succeed. In fact, the region itself was divided, with the folk who clung to their identity as North Carolinians at odds with their neighbors who called themselves Franklinites.

This first post-Revolutionary War attempt at independent statehood spanned a brief but tumultuous period (1784—1789), and was marked by courthouse raids, fisticuffs, siege, and battle. For a little over four years the people of the Tennessee Valley region lived under the jurisdiction of two opposing governments, each vying for the same territory, taxes, and allegiance of the people.

How, I wondered, could such a situation result in anything but chaos for those folk simply trying to wrest a living from their farms or places of trade? Hadn’t they just lived through a devastating war between two rival governments? What was an Overmountain man and his family to do to get a little peace? And then there were the Chickamauga Indians seeking to sweep the whole lot of them back east across the mountains—and honestly, who could blame them?

It was a setting that begged for a story to be woven through it.

I began a file to keep track of those tantalizing hints of conflict surrounding the failed statehood attempt. Over time, as I read more about North Carolina, the sparse contents of this file would nudge me, suggesting story possibilities. Gradually a cast of characters clustered around it, they began to speak to me, and The Pursuit of Tamsen Littlejohn took shape.

The story opens late in the summer of 1787, well into this unsettled situation in the Overmountain region. I thought it a fitting setting for a story about a privileged but subjugated young woman, Tamsen Littlejohn, and a rootless, enigmatic Overmountain man called Jesse Bird, who find themselves thrown together in a moment of crisis with a bewildering set of paths to choose toward security and safety—much as confronted the people of the frontier valleys. Tamsen and Jesse are faced with a choice of what sort of person each wants to become, what sort of life they want to live, and must decide what they are willing to risk to pursue that choice. And might the real question be—are they meant risk their hearts and make these choices together?

I’m excited to share with readers this stirring romance set against an epic period of history often neglected in the classroom: the formation of the State of Franklin on the heels of the Revolutionary War, the turmoil it caused on the North Carolina frontier, and how near it came to being our fourteenth state.
~~~
Thank you for sharing these fascinating insights into your creative process, Lori!

Readers, if you haven’t yet read Lori’s debut novel, Burning Sky, you need to purchase a copy asap! Her writing is lovely, evocative, and gripping, and Burning Sky will stay in your heart long after you turn the last page.

And I’m confident that The Pursuit of Tamsen Littlejohn is going to be every bit as captivating. Leave a comment on this post to enter the drawing, which will close at midnight on Friday, April 18. Please include your name and email addy in your response so I can contact you if you win. I'll announce the winner here on Saturday.



Monday, June 8, 2009

Constructing the Video

A video trailer requires many more images than a book cover. I’d need an image for each frame as well as a soundtrack. So in my script I noted where the audio line would come and, and then, beside each line of text, the kind of image that would best illustrate that segment. This is how the script looked after I added general image descriptions and indicated where the audio line would come in:

Audio: rolling thunder

1. Wind of the Spirit [cover background scene]

2. The American Patriot Series Book 3 [black background]

3. by J. M. Hochstetler [black background]

Audio: sound effects and/or music

4. A spy for General Washington [portrait of Washington]

5. Elizabeth Howard is drawn into the very maw of war [portrait of beautiful young woman]

6. Where disaster all but ends the American rebellion [RevWar battle scene]

7. Yet her heart is fixed on Jonathan Carleton [portrait of handsome man]

8. missing more than a year after he disappeared into the wilderness. [forest]

9. Now the Shawnee war chief White Eagle, [cropped cover]

10. Carleton is caught in a bitter war of his own [Native American image]

11. against white settlers encroaching on Shawnee lands [Indian battle scene]

12. the tender love of the beautiful widow Blue Sky [beautiful Native American woman]

13. and the schemes of the vengeful shaman Wolfslayer [Native American man]

14. Can Elizabeth’s love bridge the miles that separate them [distant vista]

15. and the savage bonds that threaten to tear him forever from her arms? [Native Americans]

16. The nation’s epic struggle for freedom continues . . . [black background]

17. Book cover

18. Credits

I had the full image of the background for the book cover for the first frame and easily constructed frames 2 and 3 directly in Movie Maker. An online search yielded the portrait of Washington I wanted on the Metropolitan Museum of Art Web site, with permission to use it for private non-commercial and educational purposes. Then in searching my old standby, istockphoto, for Revolutionary War images, I found a video clip of reenactors enacting a battle that would work perfectly for frame #6.

For the time being, a photo of Philip Winchester in his Crusoe persona at left that I copied off NBC’s Crusoe Web site stood in for Carleton very nicely in frame #7. His features are a bit more rugged than I envision Carleton’s, but he’s amazingly close, plus he’s dressed in a costume that is close enough even though it’s probably a decade off. The cropped Wind of the Spirit cover focusing on the Native American image went into frame #9. I also found a haunting image of misty woods that worked perfectly for frame #8 and a vista taken in upper New York state that beautifully supplied #14.

In addition to images for Elizabeth and Carleton, that left the Native American images I would need for frames 10, 11, 12, 13, and 15. I wasn’t very confident that I could find exactly what I needed, and I was (unhappily) prepared to make compromises if necessary.

Thankfully it occurred to me to do a search on Native American stock photos. I had no idea whether there were any sites that specialized in those, but I hit the jackpot immediately with Native Stock, which offers a wide range of images searchable by tribe. What a treasure trove! I’m sure I’ll mine this site again for future projects. Among the Shawnee images I found several of members of the Shawnee nation dressed in historic costume for a production about Tecumseh. It was even set in Ohio! They were perfect for my purposes, and I was pretty excited!!

Ultimately, my greatest challenge turned out to be finding images for my hero and heroine. The script required images for both Elizabeth and Carleton, but finding authentic-looking stand-ins for these two characters turned out to be hair-pullingly frustrating, made worse because I’d already found the rest of the images I needed and had them in place. And they looked great! I finally began to think I’d never be able to complete this video!

I’ll talk more about the hunt tomorrow.