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Showing posts with label Shawnee. Show all posts
Showing posts with label Shawnee. Show all posts

Tuesday, December 12, 2017

Nonhelema of the Shawnee

When thinking about women who played important roles in the American Revolution, I’ll bet a Native American warrior woman doesn’t spring to mind. But today we’re going to take a look at a female Shawnee chief and warrior who, surprisingly, played an important role on the side of the Americans in opposition to the majority of her people. Nonhelema will appear in book 6 of my American Patriot Series, Refiner’s Fire, bringing a warning of danger to Jonathan Carleton/White Eagle as she did in real life to American soldiers on the frontier during the Revolution.

Nonhelema's Memorial Stone
Logan Elm Park
Nonhelema was born around 1718, about 2 years before her most famous brother, Cornstalk. They had 2 younger brothers, Silverheels, and Nimwha. The family migrated to Pennsylvania from West Virginia or Maryland around 1730 as the Shawnee and other tribes were increasingly pushed westward by the expansion of white settlements into the continent’s interior. From there they relocated to Ohio Territory near present day Chillicothe on the Scioto River.

According to the journal of Indian agent George Morgan, their father was named White Fish, and Cornstalk seemed to confirm that in a 1775 speech. However, according to the records of the Moravian missionaries, Cornstalk was the son or grandson of a well-known Pennsylvania Shawnee chief named Paxinosa, or “Hard Striker”, who has been mistakenly identified by some writers as Tecumseh’s father. I’ve found some accounts online that link the two names, so both may be correct. Nonhelema first married an unnamed Shawnee man, and later in life married the Shawnee chief Moluntha. She had several children, including a son, Thomas McKee, from her relationship with Indian Agent Colonel Alexander McKee and another son, Captain Butler/Tamanatha, with Colonel Richard Butler.

Nonhelema stood nearly six feet, six inches tall and by all accounts was an imposing figure with a well-formed body and long, flowing hair that turned white in old age. When she was young she fought as a warrior and was known to be a fierce adversary in battle. She came to be called The Grenadier or Grenadier Squaw in reference to the height of 18th-century grenadiers. She was present at the Battle of Bushy Run in August 1763 and may have participated in it, painting her body black and fighting naked as was the custom of her people. Without a doubt the sight of such a warrior must have given her enemies pause!

Logan Memorial
Logan Elm Park, Ohio
The Shawnee had both male and female chiefs, and Nonhelema became chief of the largest Shawnee village on the Pickaway Plains in Ohio Territory. Her town lay on the south bank of Scippo Creek southeast of present-day Circleville, a short distance from Cornstalk’s Town on the creek’s north bank. The cabin of Nonhelema’s friend John Logan, a notable Mingo orator and war chief, also lay nearby. The unprovoked slaying of his entire family by Virginians at Yellow Creek precipitated Lord Dunmore’s War.

Nonhelema reputedly fought at the Battle of Point Pleasant in 1774, where the Shawnee force led by Cornstalk was defeated and the war essentially ended. Since Shawnee women played important roles in relations with other nations, she most likely attended the treaty with Cornstalk. The place where the treaty was signed and where Logan made his famous lament for his murdered relatives was less than 4 miles from Nonhelema’s Town. She and Cornstalk abided by this treaty for the rest of their lives, unlike the majority of the Shawnee.

Nonhelema’s participation in colonial frontier wars apparently convinced her that the survival of her people depended on living peacefully with the Americans. By the Revolution Nonhelema had become a peace chief, and she spent the rest of her life working toward that end. However, hers and Cornstalk’s peace proposals were opposed by a large faction of the Shawnee, who hoped to use an alliance with the British to reclaim the lands taken from them by settlers. By the winter of 1776, the nation was divided between those who advocated neutrality in the war between the Americans and the British, led by Nonhelema and Cornstalk, and those who allied with the British, led by men such as Black Fish and Blue Jacket, who will also appear in Refiner’s Fire.

The Power of the Gospel
David Zeisberger preaching to the Indians
In researching 18th century Native Americans, there are many contradictory accounts and dates that make it difficult to sift out the facts. What is clear, though, is that Paxinosa’s family was greatly affected by the ministry of the Moravians, whose missionaries initially served among the Indians in Pennsylvania, primarily among the Lenape, or Delaware. They eventually established a number of towns for Indian believers along the Muskingum and Tuscarawas rivers in Ohio where many Shawnee towns were located as well. According to The History of the Moravian Mission Among the Indians in North America, Paxinosa’s wife—who would be the mother of Nonhelema and Cornstalk—was converted by the preaching of the Moravians in 1755 and, with Paxinosa’s consent, was baptized by Bishop Spangenberg. The History also recounts that in 1771 the well-known missionary David Zeisberger traveled among the Shawnee and at the first village was kindly received by a son of the chief Paxnous (Paxinosa)—quite possibly Cornstalk—who offered to accompany them during their visit.

Some online accounts claim that Nonhelema was baptized in 1772 by Zeisberger and took the English name Katherine, with the nickname of Katy. This is quite plausible given the many connections between her family and the Moravians. The History records that in 1776 Cornstalk arrived at Gnadenhütten, one of the towns of the Indian believers, with more than 100 men, women, and children in his retinue, and that “His behaviour was courteous, and he shewed a particular friendship for the missionary Jacob Schmick.” Judging from the actions of Nonhelema and Cornstalk during the American Revolution in working for peace between the Americans and the native peoples, both were deeply influenced by the Moravian doctrine of nonresistance.

On July 25, 1777, Nonhelema warned the soldiers at Fort Randolph on Point Pleasant that most of the Shawnee were allying with the British and planned to attack other forts. Cornstalk came to Fort Randolph with another chief, Red Hawk, that November to warn the fort’s commander that he could not hold his warriors back from going to war against the Americans. The commander held the men as a hostages to ensure the Shawnee’s neutrality, and when Cornstalk’s son came to visit him, he was also held. On November 10, 2 American militiamen from the fort who had gone out to hunt were found killed by Indians. The enraged soldiers broke into the room where Cornstalk and his companions were being held and brutally murdered them in retaliation.

Fort Randolph
Nonhelema, who was also at the fort serving as interpreter, had been sent out with 2 scouts as spies to the waiting Shawnee war party to deliver a message from Captain McKee, that he could not comply with their demand to release the chiefs. She most likely was on her way with the message when her brother, nephew, and their companions were killed.

In spite of her brother’s murder, Nonhelema did not waver in her friendship for the Americans. In 1778 she again warned Fort Randolph of a coming attack. On May 20 a Wyandot and Mingo force under Dunquat, the Wyandot Half King, surrounded the fort and began a week-long siege, during which Nonhelema’s large herd of cattle and horses was destroyed. Unsuccessful in their effort to force the fort’s defenders to surrender, the Indians began to move up the Kanawha River to attack Fort Donnally. Nonhelema dressed 2 messengers, John Pryor and Philip Hammond, as Indians so they could carry a warning160 miles to the garrison at Fort Donnally, which then also withstood attack.

Present-day view at site of
Nonhelema's Town
With her herds gone and her people’s hostility toward her growing, Nonhelema was forced to flee for protection to the town of the Lenape’s principal chief, White Eyes, near the Lenape capital of Coshocton, Ohio. In 1780 Nonhelema served as guide and translator for the U.S. inspector general of cavalry, when he traveled to Illinois to treat with the Indians there. She petitioned Congress in 1785 for a 1,000-acre grant in Ohio, as compensation for her services during the Revolution. Congress denied this claim but granted her a pension of daily rations and an annual allotment of blankets and clothing. When General Benjamin Logan led Kentucky militia against the Ohio Shawnee the following year, Nonhelema and her husband and family surrendered to the troops. Even so, a soldier killed Moluntha, and Nonhelema was held at Fort Pitt. While there she helped the commander compile a Shawnee-language dictionary. She died sometime after her release in December 1786.

Historical Marker at Nonhelema's Town
Although Nonhelema was revered by many of the Shawnee as an influential chief, those of her people who allied with the British considered her a traitor. According to Nonhelema’s memorial plaque in Logan’s Elm Park south of Circleville, Ohio, “She spoke three languages, serving as peacemaker and interpreter between Indians and Whites. Because of her friendships, she accepted Christianity. After the peace treaty in 1774, she was disowned by her people and became a homeless exile.”

Nonhelema’s story includes many difficult and sad circumstances, but she was a great leader among her people at a critical time in their history and ours.

Tuesday, September 1, 2015

The Release!


Today the print edition of Valley of the Shadow officially releases! I’m delighted to finally get this installment of the story out to the readers I left hanging on a pretty steep precipice at the end of Crucible of War. The story is complex, the pace is tight, and there are a number of twists and turns that I suspect will keep you guessing. For those who have been following the adventures of Elizabeth Howard and Jonathan Carleton, I believe you’re going to gain a few deep new insights into these two compelling characters—and also into Charles Andrews’s story. Many clouds rise on the horizon for the Shawnee as well, portending a troubling future for the native peoples and for the new nation.

I couldn’t have completed this book if it hadn’t been for the encouraging feedback I received from many of my fans and the truly helpful advice of several people who took time out of their busy schedules to read the first draft of this volume. My deepest thanks go to Linda Allen, who corrected my faulty French translations; Lori Benton, whose critiques are always on target; Rachel Leigh Smith, who offered an astute assessment of the original ending and prodded me to find the right one; Louise Gouge, Jocelyn Green, Susan Craft, and Patricia Riddle Gaddis, who gave me lovely endorsements; Regina Fugitani and Amber Goos, whose comments and corrections helped me to root out a number of errors; and Beverly Duell-Moore, who is the bane of typos and other mistakes. I have an equal obligation to too many others to list, but you all know who you are, and I thank each of you with all my heart.

Most of all, I thank the Lord who continues to renew these characters in my imagination, add new chapters to their story, and enable me to capture on paper a shadow of the vision he provides. May he use this series to bless many readers for his glory!

Friday, February 8, 2013

Full Cover for Wind of the Spirit



I just got the full cover for Wind of the Spirit this week, and isn’t it gorgeous? Marisa always does such a lovely job! There’s something about the painting we used and the coordinating colors she chose for the background that really appeal to me. I’m a natural kinda girl, and this range of earthy colors is just my style.

I also love the Don Troiani painting of a Shawnee Indian warrior that appears on the back. He stands in for the Shawnee sequences in the story, while the main painting on the front by Thomas Sully illustrates the final scenes, with Washington’s army preparing for the famous crossing of the Delaware.

I uploaded the cover to the printer’s site yesterday, the final step since the text file was already good to go. And I’ve ordered the proof, and as soon as I make any needed corrections, it’ll be ready to print. The official pub date is April 1, but we’re ahead on the production schedule, so we’ll probably begin shipping in mid March.

The new edition of Wind of the Spirit is available for preorder on these sites.

Christianbook.com
Barnes & Noble

In March I’m going to hold several drawings for free copies. So watch this space and my facebook page for announcements.

I’d love to get some feedback on the cover, so please let me know what you think!

Saturday, September 1, 2012

Love's Reckoning by Laura Frantz

I’m sure everyone is familiar with Laura Frantz and her wonderful historical novels—and if you aren’t, you ought to be!. Today I’m celebrating the release of Laura’s new historical, Love’s Reckoning, Book 1 of the Ballantyne Legacy Series by featuring her and all of her books.

A former schoolteacher and social worker, Laura credits her 100-year-old grandmother as being the catalyst for her fascination with Kentucky history. Her ancestors followed Daniel Boone into Kentucky in 1792 and settled in Madison County, where her family still resides. Laura currently lives in the misty woods of Port Angeles, Washington, with her husband and two sons.

Love’s Reckoning, which releases September 1, is already receiving enthusiastic reviews—and I’m totally bummed because my Kindle edition hasn’t released yet, and I can’t wait to read it!! But enough whining. I’ve loved every one of Laura’s previous books, and I know I’m going to love this one and look forward to each volume in the series.

A summary of each of her books follows. I encourage you to become acquainted with this outstanding author if you aren’t already!


Love’s Reckoning, Book 1 of the Ballantyne Legacy Series

On a bitter December day in 1784, Silas Ballantyne arrives at the door of blacksmith Liege Lee in York County, Pennsylvania. Silas is determined to finish his apprenticeship quickly and move west. But because he is a fast worker and a superb craftsman, Liege endeavors to keep him in York by appealing to an old tradition: the apprentice shall marry one of his master’s beautiful daughters.

Eden is as gentle and fresh as Elspeth is high-spirited and cunning. But are they truly who they appear to be? In a house laced with secrets, each sister seeks to secure her future. Which one will claim Silas’s heart--and will he agree to Liege’s arrangement?

In this sweeping family saga, one man’s choices in love and work, in friends and enemies, set the stage for generations to come. This is the Ballantyne Legacy.

The Colonel’s Lady

Can love survive the secrets kept buried within a tormented heart?

Roxanna Rowan may be a genteel Virginia woman, but she is determined to brave the wilds of the untamed frontier to reach a remote Kentucky fort. Eager to reunite with her father, who serves under Colonel Cassius McLinn, Roxanna is devastated to find that her father has been killed on a campaign. Penniless and out of options, she is forced to remain at the fort. As she spends more and more time with the fiery Colonel McLinn, the fort begins to buzz with intrigue and innuendo. Can Roxanna truly know who the colonel is—and what he’s done?

This powerful story of love, faith, and forgiveness immerses readers in the tumultuous world of the frontier in 1779.

The Frontiersman’s Daughter

One woman searches for love—and herself—in a wild land.

Lovely and high-spirited, Lael Click is the daughter of a celebrated frontiersman. Haunted by her father’s ties to the Shawnee Indians and her family’s past, Lael comes of age in the fragile Kentucky settlement her father founded. As she faces the many trials of life on the frontier, she draws strength from the rugged land. But the arrival of a handsome doctor threatens her view of her world, her God, and herself. Can the power of grace and redemption break through in this tumultuous place?

This epic novel offers a glimpse into the simple yet daring lives of the pioneers who first crossed the Appalachians, all through the courageous eyes of a determined young woman who will not be defeated.


Courting Morrow Little

Caught between the wilderness and civilization, Morrow Little must find her way to true love.

Morrow Little is haunted by the memory of the day her family was torn apart by raiding Shawnee warriors. Now that she is nearly a grown woman and her father is ailing, she must make difficult choices about the future. Several men—ranging from the undesired to the unthinkable—vie for her attentions, but she finds herself inexplicably drawn to a forbidden love that both terrifies and intrigues her. Can she betray the memory of her lost loved ones—and garner suspicion from her friends—by pursuing a life with him? Or should she seal her own misery by marrying a man she doesn’t love?

 This sweeping tale of romance and forgiveness takes readers from a Kentucky fort through the vast wilderness of the West.

Friday, September 16, 2011

Announcing ... New Series Cover Art!

Sometimes the stars are in the right alignment . . .

Can you tell I’m so excited I can hardly stand it? I’ve found the perfect art for the covers for this series—at least most of them—and they were right under my nose! It just never occurred to me until recently that these gorgeous and historically accurate paintings might be available for licensing.

If you’ve ever done much research into American history from the French and Indian War through the Civil War, you’ve undoubtedly run into Don Troiani’s paintings. Several years ago I purchased his beautifully detailed Soldiers in America: 1754–1865, with text by Earl J. Coates and James L. Kochan. I refer to it whenever any questions about the uniforms and weaponry of the Revolution arise. If you’re not familiar with Mr. Troiani’s work, here’s his bio from the dust jacket.

Mr. Troiani’s paintings have appeared in numerous national collections, including the National Park Service, West Point Military Academy, and the Smithsonian Institute. Known for his incredibly accurate renditions of the American Revolution and the Civil War, he is also a respected authority on uniforms and equipage of the American military. His collection of military antiques ranks among the most important in the country.

Once it occurred to me that I might be able to get the rights to use some of Mr. Troiani’s images, I did an internet search, which immediately led me to the Military and Historical Image Bank. I was pretty sure the fee to use them was going to be more than I could afford, but happily good folks at MHIB were willing accommodate my budget. It always pays to ask!

There are also a whole lot more of Mr. Troiani’s paintings than are shown in the book. I was able to match several to the volumes in the series, along with several smaller images for some of the back covers, such as one of an officer of the British 17th Light Dragoons, to go on the back cover of Daughter of Liberty to represent Jonathan Carleton. There are only a couple of volumes that I’ll need to find other artwork for. Below is a list, with the volume and the corresponding image. Since I only have permission for the first image so far, the others are shown with the watermark.

1. Daughter of Liberty: Stand Your Ground, the Battle of Lexington Green
Back cover: British 17th Light Dragoons (an almost perfect stand-in for Carleton!)

2. Native Son: The Battle of Oriskany, 1777 (Okay, it’s the wrong battle and date for the story and the Indians are Oneida instead of Shawnee, but this is as close as we’re gonna get!)




3. Wind of the Spirit back cover image: Shawnee Indian Warrior 1750-80




4. Crucible of War: General George Washington at the Battle of Princeton (tentative, above). To the right is the image I’d love to have.
Back cover (left): Battle of Eutaw Springs, Sept. 8, 1781. (Yeah, I know, but it’s a great stand-in for Carleton in this volume when he comes within a hair's breadth of being captured by the British. Ummm. . . forget I mentioned that!)




6. Refiner’s Fire: The Cavalry Battle at Cowpens 1781 (tentative)






7. Forge of Freedom: A Prayer of Thanksgiving, April 19, 1783



For the front covers of Wind of the Spirit and Valley of the Shadow, and also potentially for Crucible of War, I’ll need to find other artwork. I’m hoping to find appropriate historical paintings that can be licensed. Valley of the Shadow and/or Refiner’s Fire will need a naval image. There’s one of the battle between the Bonhomme Richard and the Serapis (right) that would be perfect for Refiner’s Fire, if I can only find out where it’s located and whether it can be licensed. Also one of Washington at the Battle of Princeton that would be absolutely fabulous for Crucible of War, but I haven’t yet been able to determine who the artist is or where the painting resides. But I’m working on it.

These images will take up only part of the front cover, either the top or bottom. The rest of the space will have an image representing Elizabeth Howard or something else relevant to the volume, and a bar with the title and my name. I’m saving up my pennies to purchase the rights for each as we get to work on the cover, so it’s going to take a while to get them all done. But at least I finally have a plan and a basic design, and that feels great. And Crucible of War is flowing right along, which feels pretty exhilarating too!

Sunday, November 7, 2010

The Quest

A couple of weeks ago while I was struggling, yet again, to get a real handle on Crucible of War, I realized that my problem was plotting the story. I have a collection of scenes and notes, but weaving them together into a coherent whole wasn’t happening. I’ve lived with my characters long enough now that I know their souls quite well, though, of course, as is true with real people, they still surprise me from time to time. That’s what keeps things interesting. At this point in the series, however, the overarching story has become too complex for me to do my usual seat-of-the-pants plotting as I write each volume.

The more I thought about it, the more I realized that there was nothing for it except to buckle down and—gasp—outline the plot! Although I generally resist being that organized, obviously I wasn’t going to make much progress until I did. Sooo I took the plunge. First I decided it would help tremendously to have the main characters’ inner and outer quests up at the top of the document where I can easily refer to them as I develop each act. It helped that I’d already outlined the specific goals, motivation, and conflict for each main character in this volume as well as for the book, which made this part a relative piece of cake. Here’s what I ended up with.

  • General George Washington
    outer quest—keep his army together and strike a decisive blow against the British.
    inner quest—to earn the respect of friends and foes alike, to protect his reputation, and to return in triumph to the peaceful life of a Virginia planter.
  • General William Howe
    outer quest—wear the Americans down through a series of blows that will finally force them to surrender.
    inner quest—build his reputation and maintain his position, all while indulging in gambling and the charms of his mistress as much as possible.
  • Jonathan Carleton/White Eagle
    outer quest—to define his identity as Shawnee warrior/white officer, to help the Americans win independence, and to successfully advocate for his people .
    inner quest: to build a life with Elizabeth, to finally learn to trust her completely, to come to know the depths of her soul.
  • Elizabeth Howard
    outer quest—to overcome Howe, defeat Britain, and help gain independence for the Americans.
    inner quest—to build a life with Carleton, to nurture his soul and heal his deepest wounds.
  • Charles Andrews/Golden Elk
    outer quest—to help the Americans gain independence, and then go home to his adoptive people in peace.
    inner quest—to become a true Shawnee husband to Blue Sky, father to their children, and member of the tribe.

It’s a beginning. I’ll refine this and make it more specific to this volume as I develop the story. In my next post, I’ll go into the actual plot outline, which I’ve organized in 3 acts.

Monday, June 8, 2009

Constructing the Video

A video trailer requires many more images than a book cover. I’d need an image for each frame as well as a soundtrack. So in my script I noted where the audio line would come and, and then, beside each line of text, the kind of image that would best illustrate that segment. This is how the script looked after I added general image descriptions and indicated where the audio line would come in:

Audio: rolling thunder

1. Wind of the Spirit [cover background scene]

2. The American Patriot Series Book 3 [black background]

3. by J. M. Hochstetler [black background]

Audio: sound effects and/or music

4. A spy for General Washington [portrait of Washington]

5. Elizabeth Howard is drawn into the very maw of war [portrait of beautiful young woman]

6. Where disaster all but ends the American rebellion [RevWar battle scene]

7. Yet her heart is fixed on Jonathan Carleton [portrait of handsome man]

8. missing more than a year after he disappeared into the wilderness. [forest]

9. Now the Shawnee war chief White Eagle, [cropped cover]

10. Carleton is caught in a bitter war of his own [Native American image]

11. against white settlers encroaching on Shawnee lands [Indian battle scene]

12. the tender love of the beautiful widow Blue Sky [beautiful Native American woman]

13. and the schemes of the vengeful shaman Wolfslayer [Native American man]

14. Can Elizabeth’s love bridge the miles that separate them [distant vista]

15. and the savage bonds that threaten to tear him forever from her arms? [Native Americans]

16. The nation’s epic struggle for freedom continues . . . [black background]

17. Book cover

18. Credits

I had the full image of the background for the book cover for the first frame and easily constructed frames 2 and 3 directly in Movie Maker. An online search yielded the portrait of Washington I wanted on the Metropolitan Museum of Art Web site, with permission to use it for private non-commercial and educational purposes. Then in searching my old standby, istockphoto, for Revolutionary War images, I found a video clip of reenactors enacting a battle that would work perfectly for frame #6.

For the time being, a photo of Philip Winchester in his Crusoe persona at left that I copied off NBC’s Crusoe Web site stood in for Carleton very nicely in frame #7. His features are a bit more rugged than I envision Carleton’s, but he’s amazingly close, plus he’s dressed in a costume that is close enough even though it’s probably a decade off. The cropped Wind of the Spirit cover focusing on the Native American image went into frame #9. I also found a haunting image of misty woods that worked perfectly for frame #8 and a vista taken in upper New York state that beautifully supplied #14.

In addition to images for Elizabeth and Carleton, that left the Native American images I would need for frames 10, 11, 12, 13, and 15. I wasn’t very confident that I could find exactly what I needed, and I was (unhappily) prepared to make compromises if necessary.

Thankfully it occurred to me to do a search on Native American stock photos. I had no idea whether there were any sites that specialized in those, but I hit the jackpot immediately with Native Stock, which offers a wide range of images searchable by tribe. What a treasure trove! I’m sure I’ll mine this site again for future projects. Among the Shawnee images I found several of members of the Shawnee nation dressed in historic costume for a production about Tecumseh. It was even set in Ohio! They were perfect for my purposes, and I was pretty excited!!

Ultimately, my greatest challenge turned out to be finding images for my hero and heroine. The script required images for both Elizabeth and Carleton, but finding authentic-looking stand-ins for these two characters turned out to be hair-pullingly frustrating, made worse because I’d already found the rest of the images I needed and had them in place. And they looked great! I finally began to think I’d never be able to complete this video!

I’ll talk more about the hunt tomorrow.

Sunday, June 7, 2009

Developing the Script

Some people recommend keeping trailers to under 1 minute. I knew that was going to be way too short to effectively tell this story. My goal was to keep the running time right around 1 ½ minutes. That’s about what the One Holy Night trailer came in at, and that felt not too long and not too short. To accomplish it, I needed to grab the high points of my copy, keeping in mind the images I’d need to illustrate them. After I condensed the wording somewhat, while adding a couple of important story elements, I ended up with this raw text:

“A spy for General Washington, Elizabeth Howard is drawn into the very maw of war where disaster all but ends the American rebellion. Yet her heart is fixed on Jonathan Carleton, still missing more than a year after he disappeared into the wilderness. Now the Shawnee war chief White Eagle, Carleton is caught in a bitter war of his own—against white settlers encroaching on Shawnee lands, the tender love of the beautiful widow Blue Sky, and the schemes of the vengeful shaman Wolfslayer. Can Elizabeth’s love bridge the miles that separate them and the savage bonds that threaten to tear him forever from her arms? The nation’s epic struggle for freedom continues . . . ”

After adding the introductory and concluding text, I created 18 frames:

1. Wind of the Spirit

2. The American Patriot Series Book 3

3. by J. M. Hochstetler

4. A spy for General Washington

5. Elizabeth Howard is drawn into the very maw of war

6. where disaster all but ends the American rebellion

7. Yet her heart is fixed on Jonathan Carleton

8. still missing more than a year after he disappeared into the wilderness

9. Now the Shawnee war chief White Eagle,

10. Carleton is caught in a bitter war of his own

11. against white settlers encroaching on Shawnee lands

12. the tender love of the beautiful widow Blue Sky

13. and the schemes of the vengeful shaman Wolfslayer

14. Can Elizabeth’s love bridge the miles that separate them

15. and the savage bonds that threaten to tear him forever from her arms?

16. The nation’s epic struggle for freedom continues . . .

17. Book cover

18. Credits

The text for a couple of the frames was a bit long, but I was pretty sure they were still short enough for viewers to read easily if the frame didn’t speed by too quickly. I knew I’d need to keep an eye on that.

Now that I had a script I was satisfied with, the next step was to determine the images I’d need for each frame. Most of them fell into place pretty quickly, but finding a couple I had to have gave me major fits. I’ll describe the process and the results tomorrow.

Saturday, June 6, 2009

Creating a Video Trailer

Video book trailers have become so popular that it seems as if just about every recent release has come equipped with one. Authors and, in a few cases, publishers are racing to get one up on YouTube and other sites by the book’s pub date. There’s a lot of variation in quality, I’ve noticed, with some that look pretty amateurish and some that could qualify as professional movie trailer productions.

Even though I’ve been, as usual, so covered up it’s ridiculous, the temptation to get a trailer into the running finally ended up being too hard to resist. Admittedly I’m late jumping into the game since Wind of the Spirit released in March, but better late than never, right? And I’d done one for One Holy Night back in November, in the process learning a lot about using Windows Movie Maker, so I was up to the challenge. I don’t have PhotoShop, so I can’t create some of the nifty effects I’ve seen in other videos. But the OHN trailer got really good feedback, and I figured that, now that I had some experience under my belt, I could make this one even better. (To take a look at the result, click on the link at right, or scroll down to the bottom of the page where the video is posted.)

The most important thing I learned from my previous experience was that if you don’t start with a great script, you’re going to end up with a lackluster trailer. The script is a road map or bible for the production. It tells the story in as few words and images as possible (speed is of the essence in our attention-deficient culture) and also tells you what images you’re going to need. So I decided to resurrect some advertising copy I’d adapted from the book’s back cover copy and see what I could do. Here’s what I began with:

“Elizabeth Howard’s assignment to gain crucial intelligence for General Washington leads her into the very maw of war at the Battle of Brooklyn Heights, where disaster forebodes an end to the American rebellion. Yet all the while her heart is fixed on Jonathan Carleton, whose whereabouts remain unknown more than a year after he disappeared into the wilderness. Carleton, now the Shawnee war chief White Eagle, is caught in a bitter war of his own. As unseen forces gather to destroy him, he leads the fight against white settlers encroaching on Shawnee lands—while battling the longing for Elizabeth that will not give him peace. As the patriot cause falters, can her love bridge the miles that separate them—and the savage bonds that threaten to tear him forever from her arms?”

That was a promising start, but I knew a bit of tightening up was in order. Join me again tomorrow for a rundown on how I developed this into a focused, compelling script.